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Disney’s The Black Hole and Paul Anderson’s Event Horizon don’t seem to have much in common. Black Hole is classic science fiction with robots and mad scientists and questions about the meaning of life. Event Horizon is a slasher film set in space. So why compare them? Because they’re actually the same movie.


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Disney’s The Black Hole and Paul Anderson’s Event Horizon don’t seem to have much in common. Black Hole is classic science fiction with robots and mad scientists and questions about the meaning of life. Event Horizon is a slasher film set in space. So why compare them? Because they’re actually the same movie.


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Film Friday: The Black Hole (1979) v. Event Horizon (1997)
By ScottDS

When Steven Spielberg was at the height of his powers (and still had talent to match), his production company Amblin Entertainment cranked out family-friendly hit after hit, including masterpieces Back to the Future and Who Framed Roger Rabbit. Amblin also made several other fun films we still fondly remember today, like The Goonies and Gremlins. My personal favorite is Joe Dante’s underrated sci-fi comedy Innerspace, starring Martin Short, Dennis Quaid, Meg Ryan, and a menagerie of character actors.

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By ScottDS

When Steven Spielberg was at the height of his powers (and still had talent to match), his production company Amblin Entertainment cranked out family-friendly hit after hit, including masterpieces Back to the Future and Who Framed Roger Rabbit. Amblin also made several other fun films we still fondly remember today, like The Goonies and Gremlins. My personal favorite is Joe Dante’s underrated sci-fi comedy Innerspace, starring Martin Short, Dennis Quaid, Meg Ryan, and a menagerie of character actors.

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Guest Review: Innerspace (1987)
This may surprise you, but I did not hate this film. Don’t get me wrong, Green Lantern is an awful film: generic pointless plot, bad acting, bad effects. . . but somehow, I didn’t hate it. And in today’s Hollywood, that’s a pretty big victory.

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This may surprise you, but I did not hate this film. Don’t get me wrong, Green Lantern is an awful film: generic pointless plot, bad acting, bad effects. . . but somehow, I didn’t hate it. And in today’s Hollywood, that’s a pretty big victory.

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Film Friday: Green Lantern (2011)
Does Tom Cruise die at the end of Steven Spielberg’s War of the Worlds. You’ve probably never heard that before and there’s no direct evidence that he’s dead, but I think he does.

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Does Tom Cruise die at the end of Steven Spielberg’s War of the Worlds. You’ve probably never heard that before and there’s no direct evidence that he’s dead, but I think he does.

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Does Tom Cruise Die In War of the Worlds?
By tryanmax

I am stunned to think that this movie came from the same mind as Gattica. I had mixed expectations when I sat down to watch. The premise—time has literally become money and if you run out, you die—sounded a little clunky to me. But I figured that maybe Andrew Niccol could pull it off. Besides, dystopian sci-fi is my favorite genre and I figured, if nothing else, I could expect some fast pacing, cool, futuristic visuals, and some clever one-liners.

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By tryanmax

I am stunned to think that this movie came from the same mind as Gattica. I had mixed expectations when I sat down to watch. The premise—time has literally become money and if you run out, you die—sounded a little clunky to me. But I figured that maybe Andrew Niccol could pull it off. Besides, dystopian sci-fi is my favorite genre and I figured, if nothing else, I could expect some fast pacing, cool, futuristic visuals, and some clever one-liners.

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Guest Review: In Time (2011)
Battle: Los Angeles looked like a big blockbuster film designed to attract an audience for two weeks and then be forgotten. Imagine my surprise to find a truly inspired film. And do you know what makes this film stand out? An utter lack of cynicism and a strong sense of patriotism. This IS a conservative film!

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Battle: Los Angeles looked like a big blockbuster film designed to attract an audience for two weeks and then be forgotten. Imagine my surprise to find a truly inspired film. And do you know what makes this film stand out? An utter lack of cynicism and a strong sense of patriotism. This IS a conservative film!

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Film Friday: Battle: Los Angeles (2011)
I see where The Adjustment Bureau looked like a brilliant concept. Random chance brings a man and woman together. They fall in love. But God’s plan for the world requires they be apart. Angels separate them, but the man fights against God’s plan to be with his true love. That’s an incredible amount of fascinating conflict. Sadly, Bureau mishandles every aspect of this and muddles all the conflict, which makes it feel as tired and indifferent as the last few weeks of a canceled television show.

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I see where The Adjustment Bureau looked like a brilliant concept. Random chance brings a man and woman together. They fall in love. But God’s plan for the world requires they be apart. Angels separate them, but the man fights against God’s plan to be with his true love. That’s an incredible amount of fascinating conflict. Sadly, Bureau mishandles every aspect of this and muddles all the conflict, which makes it feel as tired and indifferent as the last few weeks of a canceled television show.

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Film Friday: The Adjustment Bureau (2011)
Was Tron: Legacy the worst movie ever? Nope. I liked the soundtrack a lot, the effects were excellent and the actors read their words competently. It didn’t offend me either or bore me too much. So if that’s what you want, then this movie certainly delivers. Thumbs up! But if you’re one of those picky people who want more than a placebo for a film, then this one isn’t for you.

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Was Tron: Legacy the worst movie ever? Nope. I liked the soundtrack a lot, the effects were excellent and the actors read their words competently. It didn’t offend me either or bore me too much. So if that’s what you want, then this movie certainly delivers. Thumbs up! But if you’re one of those picky people who want more than a placebo for a film, then this one isn’t for you.

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Film Friday: Tron: Legacy (2010)
Humans are fascinated by time. We have a million words to describe it and explain it. We measure it and measure ourselves by it. And we wonder about its nature. Does it move in a straight line or does it exist all at once? Can we move through it? Can we go back in time and change the past or is the past simply gone? And science fiction loves this concept. But sometimes the concept gets mishandled.

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Humans are fascinated by time. We have a million words to describe it and explain it. We measure it and measure ourselves by it. And we wonder about its nature. Does it move in a straight line or does it exist all at once? Can we move through it? Can we go back in time and change the past or is the past simply gone? And science fiction loves this concept. But sometimes the concept gets mishandled.

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The Sound of Inconsistency
If you haven’t seen the original Star Trek series, you should. Not only is it deeply woven into our culture, but it hits a high-water mark in terms of science fiction addressing social issues without beating you over the head with the message. Moreover, whether they realized it or not, it’s a fundamentally conservative/libertarian show. So today I want to start a new series pointing out some of the most conservative Star Trek episodes from the original series. . . as compared to the ultra-liberal Star Trek: The Next Generation. Let’s start with Episode 50: Patterns of Force.

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If you haven’t seen the original Star Trek series, you should. Not only is it deeply woven into our culture, but it hits a high-water mark in terms of science fiction addressing social issues without beating you over the head with the message. Moreover, whether they realized it or not, it’s a fundamentally conservative/libertarian show. So today I want to start a new series pointing out some of the most conservative Star Trek episodes from the original series. . . as compared to the ultra-liberal Star Trek: The Next Generation. Let’s start with Episode 50: Patterns of Force.

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Politics of Star Trek: “Patterns of Force”
I like Screamers. It’s a decent science fiction film about machines turning on man. The story is unique and inspired and the plot handles the story well. There really isn’t anything about this film I would change. Yet, I can’t call it a great film. In fact, if I were to rate it, I’d give it a solid B. I find that fascinating.

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I like Screamers. It’s a decent science fiction film about machines turning on man. The story is unique and inspired and the plot handles the story well. There really isn’t anything about this film I would change. Yet, I can’t call it a great film. In fact, if I were to rate it, I’d give it a solid B. I find that fascinating.

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Film Friday: Screamers (1995)
I want to like Terry Gilliam’s films. I want to respect Terry Gilliam’s films. But I can’t. They’re a mess. Twelve Monkeys is an exception. Twelve Monkeys is almost brilliant. What makes it brilliant is its twist on time travel paradoxes. What makes it “almost” is Gilliam’s usual problems.

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I want to like Terry Gilliam’s films. I want to respect Terry Gilliam’s films. But I can’t. They’re a mess. Twelve Monkeys is an exception. Twelve Monkeys is almost brilliant. What makes it brilliant is its twist on time travel paradoxes. What makes it “almost” is Gilliam’s usual problems.

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Film Friday: Twelve Monkeys (1995)
Boy did I hate Star Trek: The Motion Picture when it first came to theaters. Everything about this film was wrong. But over the years, I’ve had a change of heart. Don’t get me wrong, everything about TMP is still wrong, but it has one thing all the other Star Trek movies are missing. It has a sense of adventure.

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Boy did I hate Star Trek: The Motion Picture when it first came to theaters. Everything about this film was wrong. But over the years, I’ve had a change of heart. Don’t get me wrong, everything about TMP is still wrong, but it has one thing all the other Star Trek movies are missing. It has a sense of adventure.

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Film Friday: Star Trek: The Motion Picture (1979)
I’ve said before that I no longer have any respect for Stephen King. When he was young, he wrote a couple great horror stories. But then he got lazy or lost that creative spark or just became full of himself. And for the past couple decades, all he's done is steal ideas. He’s more like an idea consolidator now than an author, and I’ve never once heard him credit anything he’s stolen.



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I’ve said before that I no longer have any respect for Stephen King. When he was young, he wrote a couple great horror stories. But then he got lazy or lost that creative spark or just became full of himself. And for the past couple decades, all he's done is steal ideas. He’s more like an idea consolidator now than an author, and I’ve never once heard him credit anything he’s stolen.



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Stephen King: Idea Consolidator
The left politicizes children’s stories. They’ve discovered that once kids learn ideas like personal responsibility, the value of families and cause and effect, it becomes rather difficult to brainwash them to believe leftist dogma. Thus, they attack centuries old fairy tales as sexist, racist and evil, and they churn out propaganda to replace them. The Golden Compass is propaganda. Indeed, Compass, the first book in Philip Pullman “His Dark Materials” trilogy, is anti-Catholic and anti-religion. “Ridiculous” screamed the left. But it's true. What's more, it's a bad film.



Click Here To Read Article/Comments at CommentaramaFilms
The left politicizes children’s stories. They’ve discovered that once kids learn ideas like personal responsibility, the value of families and cause and effect, it becomes rather difficult to brainwash them to believe leftist dogma. Thus, they attack centuries old fairy tales as sexist, racist and evil, and they churn out propaganda to replace them. The Golden Compass is propaganda. Indeed, Compass, the first book in Philip Pullman “His Dark Materials” trilogy, is anti-Catholic and anti-religion. “Ridiculous” screamed the left. But it's true. What's more, it's a bad film.



Click Here To Read Article/Comments at CommentaramaFilms
Film Friday: The Golden Compass (2007)
I want to like Minority Report, but I can't. It’s based on a Philip K. Dick short story, and I usually enjoy movies based on his stories (see, e.g. Blade Runner and Imposter), plus it’s got a strong cast, excellent pacing, an interesting plot and some deep themes. But there’s just something wrong with the film and Spielberg knows it.



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I want to like Minority Report, but I can't. It’s based on a Philip K. Dick short story, and I usually enjoy movies based on his stories (see, e.g. Blade Runner and Imposter), plus it’s got a strong cast, excellent pacing, an interesting plot and some deep themes. But there’s just something wrong with the film and Spielberg knows it.



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Film Friday: Minority Report (2002)